Carlos Fuentes

Biography

Mexican writer, born November 11, 1928 in Panama City, Panama and died May 15, 2012 in Mexico City, Mexico.

Country
Mexico
Gender
Male
Place of birth
Panama City
Birth date
11 November 1928
Member of
El Colegio Nacional ·Academia Mexicana de la Lengua·American Academy of Arts and Sciences
Nationality
Mexican

  • Premio Real Academia Española
  • Grand Cross of the Order of Isabella the Catholic
  • Grinzane Cavour Prize
  • Xavier Villaurrutia Award
  • Honorary doctorate of the University of Vigo
  • Honorary doctor of Harvard University
  • Alfonso Reyes International Prize
  • Menéndez Pelayo International Prize
  • Common Wealth Award of Distinguished Service
  • Miguel de Cervantes Prize
  • Honorary doctor of the Free University of Berlin
  • Belisario Domínguez Medal of Honor
  • Four Freedoms Award - Freedom of Speech
  • Rómulo Gallegos Prize
  • National Prize for Arts and Sciences
  • Prince of Asturias Literary Prize
  • Honorary doctorate of the Bordeaux Montaigne University
  • Prix Formentor
  • Honorary doctorate of the University of the Balearic Islands
  • Honorary doctor of the University of Cambridge

  • Biography/bibliography in: "Contemporary Authors". New Revision Series, vol.
  • Member of the jury at the Venice Film Festival in 1967.

  • The contract between the author and the reader is a game. And the game is one of the greatest invetions of Western civilization: the game of telling stories, inventing characters, and creating the imaginary paradise of the individual, from whence no one can be expelled because, in a novel, no one owns the truth and everyone has the right to be heard and understood.
  • The novel is the privileged vehicle of two ways of being: narrative and freedom: to be new (novel) in a speech open to all, and to be free in a speech that never concludes.
  • All that was left to me was certain images and all of them spoke to me of the collapse of a cruel world and the slow construction in its stead of another world, equally cruel.
  • Robinson Crusoe, the first capitalist hero, is a self-made man who accepts objective reality and then fashions it to his needs through the work ethic, common sense, resilience, technology, and, if need be, racism and imperialism.
  • Nor is the limitation of what is sayable a limit to the doable: this last is the possibility of literature.
  • The great wheel of fire of ancient wisdom, silence and word engendering the myth of the origin, human action engendering the epic voyage toward the other; historical violence revealing the tragic flaw of the hero who must then return to the land of origin; myth of death and renewal and silence from which new words and images will arise, keeps on turning in spite of the blindness of purely lineal thought.
  • Language is always the companion of Empire and Empire is one Monarch and one Sword.
  • The logic of the symbol does not express the experiment; it is the experiment. Language is the phenomenon, and the observation of the phenomenon changes its nature.
  • Culture consists of connections, not of separations: to specialize is to isolate.
  • Alessandra approached the geniuses of the past to give them life with her attention, which was the form her affection took: paying attention.

Movies

TV

Books

External links

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